Cybele
The Second SexCybele appears in Simone de Beauvoir’s analysis as a figure through whom the ambivalence of woman as Nature is made visible. Her place in the argument changes: the fertility goddess remains a source of earthly prosperity after the Great Mother has been dethroned, while the later maternal image is rendered reassuring and incorporated into the family and social order.
Fertility and the Great Mother
Beauvoir describes a patriarchal division in which man is associated with form, movement, and creative agency, while woman is figured as earth receiving the seed. Yet the receptive earth is not dispensable: it nourishes and shelters what is planted and gives it substance. The persistence of fertility goddesses makes that dependence legible. Even after the Great Mother loses her former supremacy, people continue to credit Cybele with harvests, herds, prosperity, and life itself.
This account holds together subordination and power rather than treating them as opposites. The earth is represented as acted upon, but its sustaining work remains essential; likewise, Cybele’s diminished status does not erase the force associated with her. The goddess thus belongs to a recurring tension in Beauvoir’s discussion: Nature is both the resource that human beings seek to master and a power on which their lives depend.
From feared force to domesticated partner
In Beauvoir’s account of patriarchal society, woman retains disquieting associations with Nature, but social and religious arrangements channel them. The family domesticates feminine magic, bringing cosmic forces within an ordered social world. Beauvoir contrasts this with representations of woman as a force subjected to male violence, and with her role as a ritual partner who helps sustain civic order and male authority. Cybele’s continuing importance as a source of prosperity belongs to this wider pattern: patriarchal authority can displace a goddess from supremacy without making fertility, or the symbols attached to it, irrelevant.
The broader contrast is not simply between an earlier powerful goddess and a later powerless woman. The meanings attached to maternal power are revised. A force that could inspire fear is made compatible with social order when it is represented as benevolent and confined to an approved maternal role.
Maternal symbolism and social meaning
Beauvoir later connects Cybele’s imagery to the association between women, mothers, and places that shelter a community. She notes that cities have been likened to mothers because they hold their inhabitants, and recalls that Cybele was represented with a crown of towers. The image joins fertility to protection and civic belonging: the maternal figure signifies not only biological generation but also a place imagined as containing and sustaining its people.
This symbolism also shows how the woman-as-Nature figure can be made to serve meanings beyond the individual woman. In Beauvoir’s analysis, maternal imagery becomes a way to express the life of a household, a city, or a country. Cybele therefore links the ancient fertility goddess to a later symbolic language in which maternal power is valued as a source of continuity, but is also reshaped to fit the social order that invokes it.